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Ben Kraef - tenor saxophone (D/MNE)
Tino Derado - piano (D/HR)
Andreas Lang - bass (DK)
Heinrich Koebberling - drums (D)

An evening packed with captivating energy and intriguing musical ingenuity is guaranteed by this quartet made up four renowned and outstanding musicians. Each member of this group is a band leader and composer respectively, providing very personal perspectives not only in their interpretation of jazz standards but also through their originals.

Ben Kraef
Born in Berlin to a Montenegrin mother and German father, Ben has studied at the HfM "Hanns Eisler" in Berlin and the City College of New York. He has won several awards such as the Yamaha Saxophone Contest, so far released two records as a leader and has performed with John Patitucci, Marcus Gilmore, Tootie Heath, John Abercrombie, Jeff Tain Watts, David Gilmore, Fred Hersch, Lalo Schifrin, Francois Moutin, to name a few.

Tino Derado
A graduate (BFA) of Berklee College of Music (Boston) and the New School (New York) Tino Derado was introduced to classical piano at age six and crossed over to Jazz in his early teens, soon developing a dynamic interest in ethnic and world music due to his mixed cultural heritage (Croatian/ German).
In the course of his remarkable career, Tino performed with Gary Burton, Peter Erskine, Randy Brecker, Bill Evans, Paul Winter, Dave Liebman, Jimmy Cliff, Frank Gambale, Tom Rainey, Avishy Cohen, Craig Handy, Billy Drewes, Matthew Garrison, Rebekka Bakken, Nils Langren, Papo Vasquez, Orlando Marin y su orchestra, Andy Gonzales as well as Bob Moses, to name but a few. He served as musical director for Gloria Gaynor and toured extensively with various bands in Europe, South America, Russia and the Middle East. In 2014 he got appointed to be Professor at the Musikhochschule für Musik, Theater und Medien in Hannover.

http://www.tinoderado.de

Andreas Lang
Originally from Denmark he studied at the conservatory "Carl Nielsen Academy of Music" in Odense, taking lessons with bassist Bo Stief. Andreas performed in Denmark with Anders Mogensen, Hans Ulrik, Kresten Osgood, Håvard Wiik and Mads la Cour. In 2007 he settled in Berlin and quickly established himself in the jazz scene there as a bassist in great demand. He has worked with Felix Wahnschaffe, Rudi Mahall, Christian Lillinger, Oliver Steidle, Gunter Hampel, Henrik Walsdorff, Tobias Delius, John Schröder and many others. As a member of the group Hütte, he won the New German Jazz Award

Heinrich Koebberling
Aside from being a prolific band leader, Heinrich has been one the most in-demand drummers on the European jazz scene. He has toured and performed extensively with the likes of Gunter Hampel, Richie Beirach, Ernie Watts, Benny Bailey, Ben Monder, Attila Zoller, Anat Fort, Jan Delay and Alexander von Schlippenbach and Julia Hülsmann. Heinrich has released three records as a band leader and had been appointed to be Professor at the Hochschule für Musik und Theater Leipzig in 2007 and in 2019 at the Jazz Institute Berlin.

  1. Show: 19:30 Uhr - 20:30 Uhr (Einlass 18:30 Uhr) 

  2. Show: 21:30 Uhr - 22:30 Uhr (Einlass 21:00 Uhr)

    Eintritt frei - Beitrag erwünscht

Sitzplatzreservierung

IMPORTANT: The time you book your reservation for is the beginning of the concert! Please make sure to arrive at the club in time, but at least 15min before the concert starts, as we allocate seats on a first-come-first-serve basis. Arriving too late (less than 15min before the concert) may cause that your seats will be no longer available, especially when the concert is booked out.

In order to comply with the current distance and hygiene regulations, we will from now on present 2 shows per evening with a changing audience, as it is also common in cities like New York and London. This will create a very special, intimate and familiar atmosphere for you and us through the resulting new room layout with sofas and upholstered chairs distributed throughout the entire room and will ensure an even more intense and electrifying live music experience, which you will be able to enjoy more than ever before!

Reservations are limited due to social distance regulations.

We ask for your understanding that due to the newly regulated room layout, group reservations are more likely to receive a seat with a table than single person reservations. Thank you very much

(Our team has been thoroughly informed about the hygiene regulations. Please take note that we strictly adhere to the hygiene regulations and distance instructions).

Hinweise zur Reservierung - WICHTIG: Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bitte beachten Sie, rechtzeitig, mindestens jedoch 15min vor Konzertbeginn, am Club zu erscheinen, da wir Sitzplätze auf First-Come-First-Serve-Basis vergeben. Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bei zu spätem Erscheinen (weniger als 15min vor Konzertbeginn) können Ihre Plätze wieder freigegeben werden.

Um die aktuellen Abstands- und  Hygienevorschriften einzuhalten, werden wir ab sofort 2 Shows pro Abend mit einem wechselnden Publikum präsentieren, wie es auch in Städten wie New York und London üblich ist. Dies verschafft uns und Ihnen durch die daraus entstandene neue Raumaufteilung mit im gesamten Raum verteilten Sofas und gepolsterten Stühlen eine ganz besondere, intime und familiäre Atmosphäre und sorgt für ein noch intensiveres und elektrisierenderes Livemusikerlebnis, welches Sie so mehr denn je genießen können!

Reservierungen sind begrenzt aufgrund der sozialen Distanzierungsvorschriften.

Wir bitten um Ihr Verständnis, dass Gruppenreservierungen aufgrund der neu geregelten Raumaufteilung eine höhere Wahrscheinlichkeit auf einen Sitzplatz mit Tisch erhalten als Einzelpersonen. Vielen Dank!

(Unser Team wurde gründlich über die Hygienevorschriften informiert. Bitte nehmen Sie zur Kenntnis, dass wir uns strikt an die Hygienevorschriften und Distanzierungsmaßnahmen halten.)


ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!

EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.