Fabiana Striffler - Violin (DE)
Declan Forde - Piano (UK)
James Banner - Double Bass (UK)
Paul Santner - Guitar (DE)
The Zig Zag is proud to announce a brand new and fresh Sunday concert series that showcases a community of jazz artists responsible for bringing about an explosion of energy and life into the Berlin jazz scene. The series will feature some of the most in demand, highly skilled and exciting young jazz talents in the scene today. Going against the trend of complexity, abstraction and the “academization” of the arts, these young masters have taken the jazz scene by surprise by packing in the clubs and bringing back to life a love and passion for hard swinging music. Performances are completely acoustic with little to no amplification. Subtle interaction, melodic focus and soulful virtuosity is at play here. If you’re interested in listening to some of the finest swinging sounds of jazz this is not an event to miss out on.
Duke Ellington's contributions to jazz and American music were simply enormous. As a bandleader, his orchestra during 1926-74 was always among the top five, whether it be 1929 or 1969. As a composer, Ellington ranked with George Gershwin, Cole Porter, Irving Berlin and their contemporaries. He wrote literally thousands of songs (the exact number is not known) of which hundreds became standards. As an arranger Ellington was particularly innovative, writing for his very individual players rather than for an anonymous horn section and, not being content to play his songs the same way every time, he constantly rearranged them; "Mood Indigo" sounded different in 1933 than it did in 1953 or 1973. As a pianist Duke Ellington was originally an excellent stride player who gained the respect of such giants as James P. Johnson, Fats Waller and his main influence Willie "The Lion" Smith. Unlike virtually all of his contemporaries (other than Mary Lou Williams), Duke was able to modernize his style through the years, keeping the percussive approach of the stride players but leaving more space and using more complex chords; his playing was an influence on Thelonious Monk and (in a more abstract fashion) Cecil Taylor.
Fabiana Striffler
Fabiana Striffler is a very talented violinist who plays directly from the heart. Her beautiful sound is a reflection of herself. Fabiana has a unique balance of keen Intuition and Intellect that allows her to make pure music no matter what creative situation she finds herself in.” - Garry Dial
Born in 1988, Fabiana studied Jazz and Classical violin at the University of Arts in Berlin (UdK) and the Conservatory of Music (Hanns Eisler). From 2013-2018 she was supported by the “Yehudi Menuhin Association”. She performed with her own music, as well as with other projects in venues like the Elbphilharmonie Hamburg, Konzerthaus Berlin, Filharmonie Brno. Under the category “Best Album” of the year her debut-album “Mahagoni” was nominated for the VIA Award by Deutschlandfunk Kultur. Her new album „Sweet And So Solitary“ (Traumton/Indigo) is according to the magazine Zitty „Revolutionary in Jazz“.
Declan Forde is a pianist from Scotland and has been living in Berlin since 2014. In these past five years Forde has become the pianist of choice in Berlin across a broad spectrum of musical situations. From from Early Jazz with Igor Spallati’s Musicomaniacs, to performing the music of Duke Ellington with American bassist Greg Cohen (Ornette Coleman, John Zorn, Woody Allen, etc.); original music with James Banner’s Usine to freely improvised music with the likes of Jeff Williams, John Hollenbeck, Tobias Delius, Max Andrzejewski, Cansu Tanrikulu, Rudi Mahal, Jan Roder and Michael Griener.
Forde also performs solo and was invited by the Berliner Festspiele to perform as part of American artist Rashid Johnson’s installation Antoine’s Organ at Berlin’s Gropius Bau July-December 2019.
Beyond the world of Jazz and improvised music, Forde has performed, toured and recorded for over ten years with the Scottish singer and artist Rachel Sermanni.
James Banner was born in Dudley, England and is now based in Berlin and the UK, working around Europe as a musician, composer and educator. His main project James Banner’s USINE has received support from both the Berlin State and Initiative Musik. As a composer he received the prestigious Elsa Neumann Stipendium in 2018 from the Berlin University of the Arts/HfM Hanns Eisler, supporting the ambitious project Voices of Berlin, interviewing residents of Berlin and reflecting their stories through music for improvising choir and ensemble. James has been featured in portraits by Der Tagesspiegel and Deutschlandfunk Kultur, and was recently selected to be a part of Making Music’s Adopt A Composer scheme, composing the collaborative piece Concertino For Concert Band with premiere performances in late 2019 and a BBC Radio 3 broadcast in 2020. James is a Lecturer at Leeds College of Music, composer in residence for Make The Paint Dance, and workshop leader for Jazzlines at Symphony Hall Birmingham, and active as a co-leader and sideman in projects in the jazz and improvised music scenes of Berlin, also regularly being selected to take part in collaborative projects further afield such as Fish and Chips at Leipziger Jazztage 2018 and Jazz Alloy at the Vortex, London.
Paul Santner was born in Salzburg, Austria in 1992. That’s where he started to sing, play the trumpet, the piano and football from a young age. He picked up the doublebass, the guitar and Brazilian Jiu Jitsu later. He moved to Berlin in 2011 to study music with Kurt Rosenwinkel, Greg Cohen and others.
He played and plays with Kurt Rosenwinkel, Sun Dew, 1000 gram, Jim Black, Stefano Bollani and many more.
Show: 19:30 Uhr - 20:30 Uhr (Einlass 18:30 Uhr)
Show: 21:30 Uhr - 22:30 Uhr (Einlass 21:00 Uhr)
Eintritt frei - Beitrag erwünscht
IMPORTANT: The time you book your reservation for is the beginning of the concert! Please make sure to arrive at the club in time, but at least 15min before the concert starts, as we allocate seats on a first-come-first-serve basis. Arriving too late (less than 15min before the concert) may cause that your seats will be no longer available, especially when the concert is booked out.
In order to comply with the current distance and hygiene regulations, we will from now on present 2 shows per evening with a changing audience, as it is also common in cities like New York and London. This will create a very special, intimate and familiar atmosphere for you and us through the resulting new room layout with sofas and upholstered chairs distributed throughout the entire room and will ensure an even more intense and electrifying live music experience, which you will be able to enjoy more than ever before!
Reservations are limited due to social distance regulations.
We ask for your understanding that due to the newly regulated room layout, group reservations are more likely to receive a seat with a table than single person reservations. Thank you very much
(Our team has been thoroughly informed about the hygiene regulations. Please take note that we strictly adhere to the hygiene regulations and distance instructions).
Hinweise zur Reservierung - WICHTIG: Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bitte beachten Sie, rechtzeitig, mindestens jedoch 15min vor Konzertbeginn, am Club zu erscheinen, da wir Sitzplätze auf First-Come-First-Serve-Basis vergeben. Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bei zu spätem Erscheinen (weniger als 15min vor Konzertbeginn) können Ihre Plätze wieder freigegeben werden.
Um die aktuellen Abstands- und Hygienevorschriften einzuhalten, werden wir ab sofort 2 Shows pro Abend mit einem wechselnden Publikum präsentieren, wie es auch in Städten wie New York und London üblich ist. Dies verschafft uns und Ihnen durch die daraus entstandene neue Raumaufteilung mit im gesamten Raum verteilten Sofas und gepolsterten Stühlen eine ganz besondere, intime und familiäre Atmosphäre und sorgt für ein noch intensiveres und elektrisierenderes Livemusikerlebnis, welches Sie so mehr denn je genießen können!
Reservierungen sind begrenzt aufgrund der sozialen Distanzierungsvorschriften.
Wir bitten um Ihr Verständnis, dass Gruppenreservierungen aufgrund der neu geregelten Raumaufteilung eine höhere Wahrscheinlichkeit auf einen Sitzplatz mit Tisch erhalten als Einzelpersonen. Vielen Dank!
(Unser Team wurde gründlich über die Hygienevorschriften informiert. Bitte nehmen Sie zur Kenntnis, dass wir uns strikt an die Hygienevorschriften und Distanzierungsmaßnahmen halten.)
ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!
EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.