Matthew Herd (UK) - Alto Saxophone
Declan Forde (UK) - Piano
James Banner (UK) - Bass
Jordan Dinsdale (UK) - Drums

The Zig Zag is proud to announce a brand new and fresh Sunday concert series that showcases a community of jazz artists responsible for bringing about an explosion of energy and life into the Berlin jazz scene. The series will feature some of the most in demand, highly skilled and exciting young jazz talents in the scene today. Going against the trend of complexity, abstraction and the “academization” of the arts, these young masters have taken the jazz scene by surprise by packing in the clubs and bringing back to life a love and passion for hard swinging music. Performances are completely acoustic with little to no amplification. Subtle interaction, melodic focus and soulful virtuosity is at play here. If you’re interested in listening to some of the finest swinging sounds of jazz this is not an event to miss out on.


Edward Kennedy " Duke " Ellington was an American pianist, composer and bandleader who was one of the most influential figures in jazz. Leader of the “ Duke Ellington Orchestra “, perhaps the most prominent band in the history of jazz, he composed some of the most enduring music of the 20th century, producing more than one thousand lasting works during a career spanning more than 50 years. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and charisma, Ellington is generally considered to have elevated the perception of jazz to an art form on a par with other more traditional musical genres.

Declan Forde is a pianist from Scotland and has been living in Berlin since 2014. In these past five years Forde has become the pianist of choice in Berlin across a broad spectrum of musical situations. From from Early Jazz with Igor Spallati’s Musicomaniacs, to performing the music of Duke Ellington with American bassist Greg Cohen (Ornette Coleman, John Zorn, Woody Allen, etc.); original music with James Banner’s Usine to freely improvised music with the likes of John Hollenbeck, Tobias Delius, Max Andrzejewski, Cansu Tanrikulu, Rudi Mahal, Jan Roder and Michael Griener. Forde also performs solo and was invited by the Berliner Festspiele to perform as part of American artist Rashid Johnson’s installation Antoine’s Organ at Berlin’s Gropius Bau July-December 2019 (part of the exhibition Garden of Earthly Delights). Forde has performed, toured and recorded for over ten years with the Scottish singer and artist Rachel Sermanni.

Jordan Dinsdale
A young British drummer based in Berlin, Jordan has studied and played with some of the greatest names in Jazz including Jimmy Cobb, Chris Cheek, Jimmy Wormworth, Mike Kanan and Yasushi Nakamura. Studying at Leeds college of Music on a scholarship (2010-2017), he graduated with a first class honours and was awarded the CBE Peter Roberts Memorial prize for achieving the highest marked recital performance. In January 2017, Jordan returned to New York to study with some of the masters including Jimmy Cobb, Johnathan Blake, Ari Hoenig and Eric McPherson.

James Banner was born in Dudley, England and is now based in Berlin and the UK, working around Europe as a musician, composer and educator. His main project James Banner’s USINE has received support from both the Berlin State and Initiative Musik. As a composer he received the prestigious Elsa Neumann Stipendium in 2018 from the Berlin University of the Arts/HfM Hanns Eisler, supporting the ambitious project Voices of Berlin, interviewing residents of Berlin and reflecting their stories through music for improvising choir and ensemble. James has been featured in portraits by Der Tagesspiegel and Deutschlandfunk Kultur, and was recently selected to be a part of Making Music’s Adopt A Composer scheme, meaning he spends 2018-2019 composing a collaborative piece for concert band with a premiere on BBC Radio 3 scheduled for late 2019. James is a visiting Lecturer at Leeds College of Music, composer in residence for Make The Paint Dance, and workshop leader for Jazzlines at Symphony Hall Birmingham, and active as a co-leader and sideman in projects in the jazz and improvised music scenes of Berlin, also regularly being selected to take part in collaborative projects further afield such as Fish and Chips at Leipziger Jazztage 2018 and Jazz Alloy at the Vortex, London.

Matthew Herd is a Scottish songwriter, composer and saxophonist living in London. He writes for and performs with Seafarers, whose debut album, “Orlando”, will be released early next year. Matthew performs regularly with the Misha Mullov-Abbado Group. Also in duet with percussionist Will Glaser, and with pianist Tom Taylor. From time to time he plays with DJ Yoda, and the Patchwork Jazz Orchestra. As a teacher, Matthew co-directs the Habs Jazz Summer School.

Location:
Zig Zag Jazz Club GmbH
Hauptstr. 89, 12159 Berlin


Beginn 21:00 Uhr( Einlass 20:00 Uhr) 
Eintritt frei – Beitrag erwünscht

Sitzplatzreservierung


ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!

EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.