Eldar Tsalikov - woodwinds (RUS)
Andrew Adair - Piano (USA)
Igor Spallati - double bass (IT)
Jordan Dinsdale - drums (UK)
The MUSIC OF TIN PAN ALLEY
Tin Pan Alley was the collection of New York City music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century, considered the heyday of jazz. The songs that were composed and published in Tin Pan Alley here made their way to Broadway, where countless legendary jazz artists continue to draw inspiration for their creations right up until the present day. This quartet of some of Berlin's most in-demand players will perform a selection of those songs from the 20s and 30s, now considered classics in their own right.
Eldar Tsalikov
Born in 1993 in Rostov-on-Don into a musicians family. At the age of eight Eldar began learning saxophone at the «Kim Nazaretov Children’s Jazz School». After graduating in 2011 he moved to Berlin, where he continued his studies at the «Jazz-Institut Berlin», where he eventually picked up clarinet as his second instrument. In 2018 Eldar successfully graduated from the institute receiving the Bachelor’s degree as an instrumentalist, as well as the Master's degree as an arranger and composer.
Being himself a skilful and a versatile musician, Eldar has been expanding his knowledge of jazz music (and not only), collaborating with numerous European and Western performers of various kinds of this genre: from the deep traditional styles, such as «hot jazz» (or «trad jazz») and swing (Jon-Erik Kellso, Evan Christopher, «The EarRegulars», Meschiya Lake, «The Musicomaniacs», «The Echoes of Django», «The Jungle», «Moscow Ragtime Band») to the modern kinds of jazz and experimental music (Greg Cohen, Joey Baron, Laurie Anderson, Elias Stemeseder, Manlio Maresca, «The HAF», Anna Webber's «Percussive Mechanics»). With those and many other artists, Eldar got to travel around different countries, performing in worldwide recognised venues and concert halls such as «Birdland» (New York / USA), «Elbphilharmonie» (Hamburg, Germany), «Konzerthaus Berlin» (Berlin, Germany), «TivoliVredenburg» (Utrecht, Netherlands), as well as taking part in festivals such as «Copenhagen Jazz Fest» (Denmark), «Ascona Jazz Fest» (Switzerland), «French Quarter Fest» (New Orleans / USA), «Glasgow Jazz Festival» (Scotland).
Andrew Adair Andrew Adair is an American jazz pianist currently based in Berlin. Andrew performed with some of jazz's leading artists, including Donald Harrison, Tim Warfield, and Terrell Stafford. Based in Washington, D.C. Andrew has also appeared with Benny Golson and Curtis Fuller, Marlena Shaw, and many others during their Washington performances. In 2000, Andrew played five concerts in New York and New Orleans with the newly formed Juilliard Jazz Faculty Ensemble. With his own trio, Andrew has performed recent concerts at Blues Alley (Washington, D.C.), and the German Embassy (Washington, D.C.) Andrew recorded his critically acclaimed CD "States" on the Fresh Sound New Talent Label.
IGOR SPALLATIBorn in 1985 in Italy, he started playing the double bass at the age of 19. He studied classical music in Italy with M° Silvio Bruni and Franco Petracchi. He moved to Berlin in 2010 to sudy at the " Jazz Institut Berlin " under the guidance of Greg Cohen, John Hollenbeck, Kurt Rosenwinkel among others. He has played with: Joe Chambers, Billy Hart, Nasheet Waits, Fred Hersch, Ambrose Akinmusire, Jim Mcneely, Lewis Nash, Jay Anderson, Ronnie Burrage, Pietro Tonolo, Gabriele Mirabassi, Elias Stemeseder, Dado Moroni, Joe Hisaishi, Louis Bacalov, Nicola Piovani, David Russel, Marco Socias
Jordan Dinsdale
A young British drummer based in Berlin, Jordan has studied and played with some of the greatest names in Jazz including Jimmy Cobb, Chris Cheek, Jimmy Wormworth, Mike Kanan and Yasushi Nakamura. Studying at Leeds college of Music on a scholarship (2010-2017), he graduated with a first class honours and was awarded the CBE Peter Roberts Memorial prize for achieving the highest marked recital performance.
Show: 19:30 Uhr - 20:30 Uhr (Einlass 18:30 Uhr)
Show: 21:30 Uhr - 22:30 Uhr (Einlass 21:00 Uhr)
Eintritt frei - Beitrag erwünscht
IMPORTANT: The time you book your reservation for is the beginning of the concert! Please make sure to arrive at the club in time, but at least 15min before the concert starts, as we allocate seats on a first-come-first-serve basis. Arriving too late (less than 15min before the concert) may cause that your seats will be no longer available, especially when the concert is booked out.
In order to comply with the current distance and hygiene regulations, we will from now on present 2 shows per evening with a changing audience, as it is also common in cities like New York and London. This will create a very special, intimate and familiar atmosphere for you and us through the resulting new room layout with sofas and upholstered chairs distributed throughout the entire room and will ensure an even more intense and electrifying live music experience, which you will be able to enjoy more than ever before!
Reservations are limited due to social distance regulations.
We ask for your understanding that due to the newly regulated room layout, group reservations are more likely to receive a seat with a table than single person reservations. Thank you very much
(Our team has been thoroughly informed about the hygiene regulations. Please take note that we strictly adhere to the hygiene regulations and distance instructions).
Hinweise zur Reservierung - WICHTIG: Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bitte beachten Sie, rechtzeitig, mindestens jedoch 15min vor Konzertbeginn, am Club zu erscheinen, da wir Sitzplätze auf First-Come-First-Serve-Basis vergeben. Die Uhrzeit, zu der Sie reservieren, ist der Konzertbeginn. Bei zu spätem Erscheinen (weniger als 15min vor Konzertbeginn) können Ihre Plätze wieder freigegeben werden.
Um die aktuellen Abstands- und Hygienevorschriften einzuhalten, werden wir ab sofort 2 Shows pro Abend mit einem wechselnden Publikum präsentieren, wie es auch in Städten wie New York und London üblich ist. Dies verschafft uns und Ihnen durch die daraus entstandene neue Raumaufteilung mit im gesamten Raum verteilten Sofas und gepolsterten Stühlen eine ganz besondere, intime und familiäre Atmosphäre und sorgt für ein noch intensiveres und elektrisierenderes Livemusikerlebnis, welches Sie so mehr denn je genießen können!
Reservierungen sind begrenzt aufgrund der sozialen Distanzierungsvorschriften.
Wir bitten um Ihr Verständnis, dass Gruppenreservierungen aufgrund der neu geregelten Raumaufteilung eine höhere Wahrscheinlichkeit auf einen Sitzplatz mit Tisch erhalten als Einzelpersonen. Vielen Dank!
(Unser Team wurde gründlich über die Hygienevorschriften informiert. Bitte nehmen Sie zur Kenntnis, dass wir uns strikt an die Hygienevorschriften und Distanzierungsmaßnahmen halten.)
ENTRANCE FEES
One of the reasons that makes the zig zag jazz club so unique is that it is the first and only jazz club in the world that manages to finance world class events through a crowd funding concept. How do we do it? Its quite simple… during the break of the concert we make an announcement regarding the collection for the evening. For most concerts (excluding the jam session) we inform our customers that a fee of around 15€ per person will allow us to fairly compensate the musicians. Some people give more and some give less… and that´s ok… we ´ve already successfully promoted hundreds of concerts like this!!!
EINTRITT
Einer der Gründe, die den Zig Zag Jazzclub so einzigartig machen, ist, dass er der erste und einzige Jazzclub der Welt ist, dem es gelingt nur durch freiwilligem Eintritt/Crowdfunding Events von Weltklasse zu finanzieren. Und wie machen wir das? Ganz einfach. Während der Konzertpause geben wir bekannt, dass wir Geld einsammeln werden. Bei den meisten Konzerten (außer Jam Sessions) informieren wir unsere Kunden, dass ein Beitrag von ungefähr 15 Euro es uns erlaubt die Musiker gerecht zu bezahlen. Manche geben dabei mehr und andere weniger... und das ist auch in Ordnung. Wir haben auf diese Weise schon Hunderte Konzerte organisiert.